Why Trujillo Still Matters
A statement of purpose: on the research behind this platform, the complexity of the Trujillo era, and why history is rarely as settled as we are taught to believe.
The Archive
Reflections on historical fiction, political memory, archival research, and the craft of writing about the past.
Every historical narrative eventually seeks its fiction. On what novels do to the historical record — and what the word ajusticiamiento reveals about moral framing and the limits of the archive.
On the silences embedded in the official record — the documents that were never filed, the testimonies that were never taken, and the history that persists only in the body.
When the historical novel turns inward and examines its own construction, it does not abandon truth — it pursues a deeper kind of honesty about what fiction can and cannot recover.
How a footnote in a Dominican history textbook became an obsession, and how that obsession became a novel about power, complicity, and the morning after a tyrant falls.
A survey of how Caribbean writers — from García Márquez to Edwidge Danticat — have navigated the impossible task of fictionalizing state violence without aestheticizing it.
From Vargas Llosa's The Feast of the Goat to Junot Díaz's The Brief Wondrous Life of Oscar Wao — how writers have circled the figure of Trujillo without ever quite capturing him.
The hardest thing in historical fiction is not the villain — it is the ordinary person who looked away. How do you render complicity with empathy and without absolution?